When many people think of graffiti
2018年5月15日The term "street art" is used to describe a very wide variety of art forms, some of which are performed on the street, and some http://www.pvcboard.net/ PVC skirting board Suppliers of which are actually ON the street. While Eltono is considered by the art community to be a modern street artist, most people in the US would probably describe Eltono as a "graffiti artist". But don’t let the use of the word "graffiti" mislead you - Eltono is no vandal.
Eltono, whose name is Spanish for "the tone", is best known for painting a geometric representation of a tuning fork on buildings, rail sides, or any surface you would find in a modern city. His work first began in the city of Madrid in 1999, but it can now be found in cities all over Europe, South America, and Korea.
When many people think of graffiti, they envision bright colors and big shapes that can be overpowering. Eltono’s work is a statement against this type of graffiti -- his work is subtle and understated. Eltono does such a wonderful job of keeping his work simple that it’s possible you could walk by it and never notice it.
Eltono’s art is different partially because his technique is different. Rather than using spray paint for his work, which can be imprecise and typically force an artist to work in rounded shapes, Eltono uses plastic paint and masking tape to create his art. This technique allows him to create perfectly straight lines and geometric shapes, contributing to his unique style.
The art that Eltono creates seems to draw attention to obvious differences on a city surface. Imagine, for example, a brick wall with boarded over windows, where each board is of a different wood. Or imagine a building that has been made of brick, wood, and steel. Eltono will mark these surfaces and draw attention to the discrepancies.
Once Eltono has discovered his canvas, he will paint a variety of geometric shapes and straight lines to draw illustrate the inherent discrepancies of the surface. But his work is in sharp contrast to graffiti because it is so subtle, and this characteristic may be the reason Eltono has received wide international recognition.
As with all good art, Eltono’s work is thought provoking. Is their a political statement about urban growth and renewal? Is his use of geometric shapes intended to reinforce or challenge the design of a modern city? While Eltono’s work certainly deserves your attention now, will his work receive the attention it deserves in the future, or will he be cast aside because his art form is often associated with vandalism? Only time will tell.
Eltono, whose name is Spanish for "the tone", is best known for painting a geometric representation of a tuning fork on buildings, rail sides, or any surface you would find in a modern city. His work first began in the city of Madrid in 1999, but it can now be found in cities all over Europe, South America, and Korea.
When many people think of graffiti, they envision bright colors and big shapes that can be overpowering. Eltono’s work is a statement against this type of graffiti -- his work is subtle and understated. Eltono does such a wonderful job of keeping his work simple that it’s possible you could walk by it and never notice it.
Eltono’s art is different partially because his technique is different. Rather than using spray paint for his work, which can be imprecise and typically force an artist to work in rounded shapes, Eltono uses plastic paint and masking tape to create his art. This technique allows him to create perfectly straight lines and geometric shapes, contributing to his unique style.
The art that Eltono creates seems to draw attention to obvious differences on a city surface. Imagine, for example, a brick wall with boarded over windows, where each board is of a different wood. Or imagine a building that has been made of brick, wood, and steel. Eltono will mark these surfaces and draw attention to the discrepancies.
Once Eltono has discovered his canvas, he will paint a variety of geometric shapes and straight lines to draw illustrate the inherent discrepancies of the surface. But his work is in sharp contrast to graffiti because it is so subtle, and this characteristic may be the reason Eltono has received wide international recognition.
As with all good art, Eltono’s work is thought provoking. Is their a political statement about urban growth and renewal? Is his use of geometric shapes intended to reinforce or challenge the design of a modern city? While Eltono’s work certainly deserves your attention now, will his work receive the attention it deserves in the future, or will he be cast aside because his art form is often associated with vandalism? Only time will tell.
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